Music industry, would be the magnet drawing Prominence as a center for jazz would wane, Number of young white musicians who wouldīecome stars in the 1930s, like clarinetistīenny Goodman, trombonists Jack Teagardenīegan their careers working in dance bands The Wolverines then joined the dance bands
Smith and Bessie Smith-the latter selling Popular due to singers like Ma Rainey, Mamie On tenor players until Lester Young’s arrival The influence of both Armstrong and Bechet,Īnd his style would be the primary influence
The Fletcher Henderson Orchestra, fell under Louis Armstrong joined up in 1925, causingĪnother New Orleans native, Sidney Bechet,ĭuke Ellington and subsequently influenced In New York, a popular dance orchestra ledīy pianist Fletcher Henderson had been playing Like the Charleston and the Black Bottom,īy seven- to twelve-piece dance orchestras. “Dance Age,” as America went crazy for dances The era would be more reasonably named the Referred to as the “Jazz Age,” in retrospect ‘20s, were more often in reading bands performing Improvised jazz of the late ‘teens and early
Were honed playing the free wheeling, collectively (King Oliver’s bandīy mid-decade jazz musicians, whose skills Theįollowing year they recorded The Wolverines,Ī northern group which had been influencedĪnother indie company in Chicago, Paramount The New Orleans Rhythm Kings, followed inġ923 by King Oliver’s Creole Jazz Band with Indie company located in Richmond, Indiana,īegan recording jazz groups performing inĬhicago. Many opportunities for musicians in small ProhibitionĪnd the advent of the “speakeasy” created The Midwest, both black and white musiciansįrom New Orleans moved to Chicago. Up in the North, especially in Chicago and Throughout the country by the late ‘teens. Orleans in the early 1900s, began to spread Songwriters would be exercising their craft Medium for the sale of sheet music and phonograph Gone from silent to sound, creating another Wouldn’t emerge again until the late 1930s. With the bigger companies, and similar operations Radio would become the most important medium The beginning of the Great Depression, phonograph Jazz, blues and country performers appearedįrom being an expensive novelty into a major Music and artists that the bigger companies (or indie) record companies, smaller operations The decade marked the beginning of independent Live and on records, ever hopeful of a “hit.” To make sure his company’s tunes would be “song plugger” was born: a person who worked
Realized that record, sheet music and piano Music, surpassing sales of sheet music and The phonograph recordīecame the primary method of disseminating Some of our books may be found at for two or three dollars! Included are Duke Ellington’s Cotton Club Orchestra, a youthful Louis Armstrong, Bo Jangles” Robinson, Bessie Smith’s only screen performance, a rare clip of the Boswell Sisters, the Dorsey Brothers Band, Charlie Wellman, Tessie Maize, Ben Bernie’s Orchestra, Paul Whiteman, and the only appearance of jazz legend Bix Beiderbecke in a sound film as Bix stands up and plays through an ensemble brass passage.Ĭheck out our reviews of over 100 books in the Bookstore. The Best of Louis Armstrong: The Hot Five and Seven RecordingsĪt the Jazz Band Ball - Early Hot Jazz, Song and Dance (1993)Īt the Jazz Band Ball brings together some of the greatest hot music, song, and dance captured at the height of the jazz age and in the early days of sound film (1925-1933). Classic Jazz: The Musicians and Recordings That Shaped Jazz, 1895-1933Įarly Jazz: Its Roots and Musical Development (History of Jazz)